Mors Mystica: Black Metal Theory Symposium

Publisher Marketing: Essays and artworks related to Mors Mystica, a black metal theory symposium on the theme of mystical death. "Only that person who says: 'My soul chooses hanging, and my bones death' can truly embrace this fire . . . for it is absolutely true that 'no one can see me and live.'" -- Bonaventure, Itinerarium Mentis in Deum CONTENTS Introduction: On "Heroes/Helden" Edia Connole & Nicola Masciandaro Following the Stench: Watain and Putrefaction Mysticism Drew Daniel Ablaze in the Bath of Fire Brad Baumgartner Mycelegium James Harris dying to find I was never there Teresa Gillespie On the Ecstasy of Annihilation: Notes towards a Demonic Supplement Charlie Blake Autonomy of Death, Nothing Like This Daniel Colucciello Barber "It's a suit! It's ME!" Hyper-Star and Hyper-Hero through Black Sabbath's Iron Man Caoimhe Doyle & Katherine Foyle The Tongue-Tied Mystic: Aaaarrrgghhh! Fuck Them! Fuck You! Gary J. Shipley These Flames Will Lick the Feet of God Heather Masciandaro Mystical Anarchism Simon Critchley Die Maske des Black Metals Dominik Irtenkauf Xenharmonic Black Metal: Radical Intervallics as Apophatic Ontotheology Brooker Buckingham The Perichoresis of Music, Art, and Philosophy Hunter Hunt-Hendrix On Darkness Itself Niall Scott Haemal Jeremy Dyer From Black Bile Eugene Thacker "This Place is a Tomb" Infinite Terror in Darkspace Dylan Trigg Seven Propositions On The Secret Kissing Of Black Metal: OSKVLVM Edia Connole Wings Flock to My Crypt, I Fly to My Throne: On Inquisition's Esoteric Floating Tomb Nicola Masciandaro Symposium Photographs Oyku Tekten APPENDIX Bound to Metal (Interview with Edia Connole for Legacy) Dominik Irtenkauf Theoria e praxis del Black Metal (Interview by Fabio Selvafiorita for L'Intellettuale Dissidente) Nicola Masciandaro" Contributor Bio:  Daniel, Drew Drew Daniel is one half of the acclaimed electronic group Matmos. He has taught the history of electronic music at Harvard University and the San Francisco Art Institute, among other places. Contributor Bio:  Masciandaro, Nicola Myra Seaman teaches at the College of Charleston. She has published on Middle English romance, textual studies, gender studies, dream visions, medievalisms, and posthumanisms (medieval and modern). She co-edited the essay collection Cultural Studies of the Modern Middle Ages (2007). She is co-editor of postmedieval: a journal of medieval cultural studies and co-founder of the BABEL Working Group. She is currently working on an extended project that investigates affective literacy among the late medieval English gentry through an object-oriented ontological approach. Eileen A. Joy teaches at Southern Illinois University Edwardsville and her main interests are in Old English literature, cultural studies, embodied affectivities, ethics, and the post/human. She is the founder and co-editor of postmedieval: a journal of medieval cultural studies and the Lead Ingenitor of the BABEL Working Group. She is also the co-editor of The Postmodern Beowulf (West Virginia University Press, 2007) and Cultural Studies of the Modern Middle Ages (Palgrave, 2007). Nicola Masciandaro teaches at Brooklyn College, is the author of The Voice of the Hammer: The Meaning of Work in Middle English Literature (Notre Dame, 2006), and is also founder and co-editor of Glossator: Practice and Theory of the Commentary. He has published widely on medieval philosophy, mysticism, individuation, geophilosophy, beheading, sorrow, spontaneity, and metal music, among other subjects.