Creatures of the Abyss

Publisher Marketing: The moment arrived when Terry Holt realized that he was simply holding the bag for Jimenez y Cia.-Jimenez and Company-in the city of Manila. He wasn't getting anywhere, himself. So, painfully, he prepared to wind up the company's affairs and his own, and start over. It seemed appropriate to take inventory, consult the police-they'd been both amiable and co-operative-and then make new plans. But first it would be a good idea to go somewhere else for a while, until the problem presented by La Rubia and radar and fish and orejas de ellos had been settled. He was at work on the inventory when the door opened, the warning-bell tinkled, and the girl came into the shop. He looked up with a wary eye, glancing over the partition separating the workshop area in which the merchandise sold by Jimenez y Cia. was assembled. There were certain people he felt should not come into the shop. The police agreed with him. He was prepared to throw out anybody who came either to demand that he build something or else, or to demand that he not build it or else. In such forcible ejections he would be backed by the authorities of the city and the Philippine Republic. But this customer was a girl. She was a pretty girl. She was pleasantly tanned. Her make-up, if she wore any, looked natural, and she carried a sizable parcel under her arm. She turned to close the door behind her. She was definitely from the United States. So Terry said in English, "Good afternoon. Can I do something for you?" Contributor Bio:  Leinster, Murray Analog Science Fiction and Fact is an American science fiction magazine. As of 2013, it is the longest running continuously published magazine of that genre. Initially published in 1930 in the United States as Astounding Stories as a pulp magazine, it has undergone several name changes, primarily to Astounding Science-Fiction in 1938, and Analog Science Fact & Fiction in 1960. In November 1992, its logo changed to use the term "Fiction and Fact" rather than "Fact & Fiction." It is in the library of the International Space Station. Spanning three incarnations since 1930, this is perhaps the most influential magazine in the history of the genre. It remains a fixture of the genre today. As Astounding Science-Fiction, a new direction for both the magazine and the genre under editor John W. Campbell was established. His editorship influenced the careers of Isaac Asimov and Robert Heinlein, and also introduced the Dianetics theories of L. Ron Hubbard in May 1950. Analog frequently publishes new authors, including then-newcomers such as Orson Scott Card and Joe Haldeman in the 1970s, Harry Turtledove, Timothy Zahn, Greg Bear, and Joseph H. Delaney in the 1980s, and Paul Levinson, Michael A. Burstein, and Rajnar Vajra in the 1990s. One of the major publications of what fans and historians call the Golden Age of Science Fiction and afterward, it has published much-reprinted work by such major SF authors as E. E. Smith, Theodore Sturgeon, Harlan Ellison, Isaac Asimov, Robert A. Heinlein, A. E. van Vogt, Lester del Rey, HP Lovecraft and many others. This is an excerpt from the article Astounding Stories of Super Science from the Wikipedia free encyclopedia.