The Golden Age and Dream Days (Sequel to the Golden Age) 2 Books

The Golden Age Is a collection of reminiscences of childhood, written by Kenneth Grahame and first published in book form in 1895, by The Bodley Head in London and by Stone & Kimball in Chicago. The Prologue and six of the stories had previously appeared in the National Observer, the journal then edited by William Ernest Henley. Widely praised upon its first appearance - Algernon Charles Swinburne, writing in the Daily Chronicle, called it "one of the few books which are well-nigh too praiseworthy for praise" - the book has come to be regarded as a classic in its genre. Typical of his culture and his era, Grahame casts his reminiscences in imagery and metaphor rooted in the culture of Ancient Greece; to the children whose impressions are recorded in the book, the adults in their lives are "Olympians," while the chapter titled "The Argonauts" refers to Perseus, Apollo, Psyche, and similar figures of Greek mythology. Grahame's reminiscences, in The Golden Age and in the later Dream Days (1898), were notable for their conception "of a world where children are locked in perpetual warfare with the adult 'Olympians' who have wholly forgotten how it feels to be young" - a theme later explored by J. M. Barrie and other authors. Dream Days Is a collection of children's fiction and reminiscences of childhood written by Kenneth Grahame. A sequel to the 1895 collection The Golden Age (some of its selections feature the same family of five children), Dream Days was first published in 1898 under the imprint John Lane: The Bodley Head. The first six selections in the book had been previously published in periodicals of the day - in The Yellow Book and the New Review in Britain and in Scribner's Magazine in the U. S. The book is best known for its inclusion of Grahame's classic story "The Reluctant Dragon."Like its precursor volume, Dream Days received strong approval from the literary critics of the day. In the decades since, the book has perhaps suffered a reputation as a thinner and weaker sequel to The Golden Age-except for its single hit story. In one modern estimation, both books "paint a convincingly unsentimental picture of childhood, with the adults in these sketches totally out of touch with the real concerns of the young people around them, including their griefs and rages."